World Library  
Flag as Inappropriate
Email this Article

Broadway United Church of Christ

Article Id: WHEBN0006120295
Reproduction Date:

Title: Broadway United Church of Christ  
Author: World Heritage Encyclopedia
Language: English
Subject: Upper West Side
Collection: 1832 Establishments in New York, 19Th-Century Presbyterian Church Buildings, 20Th-Century Presbyterian Church Buildings, Churches Completed in 1857, Churches in Manhattan, Closed Churches in New York City, Demolished Churches in New York City, Former Presbyterian Churches in New York, Gothic Revival Architecture in New York, Gothic Revival Churches in New York, Leopold Eidlitz Buildings, Presbyterian Churches in New York, Religious Buildings Completed in 1910, Religious Organizations Established in 1832, United Church of Christ Churches in New York, Upper West Side
Publisher: World Heritage Encyclopedia

Broadway United Church of Christ

Broadway United Church of Christ is a Congregationalist Church at Broadway and 93rd Street on the Upper West Side of Manhattan.


  • Finney's Broadway Tabernacle 1
  • 1897-1950 2
  • Postmodern era 3
  • References 4

Finney's Broadway Tabernacle

Interior of the church.

The original Broadway Tabernacle, now known as Broadway United Church of Christ [1], was founded as the Second Free Presbyterian Church, organized in 1832 by Lewis Tappan for Charles Grandison Finney, a famous evangelist / revivalist from western New York. It was founded on Chatham Street (Manhattan) in lower Manhattan, New York City, in the former Chatham Theatre (built 1824), which became known as the Chatham Street Chapel (New York City)[1][2] This first chapel was abandoned and shortly thereafter demolished in 1836 for the purpose-built Broadway Tabernacle, which was erected in 1836.[3] The Broadway Tabernacle was located at 340-344 Broadway, between Worth and Catherine Lane, and was considered one of the most influential churches constructed in America. Finney influenced the design; it held 2,400 people. Then a Presbyterian church, it was founded as a center of anti-slavery spirit in New York City. Finney left the church to join the Oberlin College’s Theology Department in April 1837 and the Tabernacle building was demolished in 1856.[4][5]

The minister who followed Finney shared neither his anti-slavery attitude nor his ability to gather the large throngs that Finney had. A dispute about this led to the church leaving the Presbyterian fold, through the purchase of the building by a prominent member, David Hale. He reorganized the church as a Congregational church, and established policies that allowed for freedom of expression. The building was used for a wide variety of purposes, including the first demonstration of nitrous oxide (laughing gas) as an anesthetic.

In the next decades, the church became a rallying point for those who were opposed to slavery, in favor of women suffrage (voting), and for the abolition of alcoholic drinks.

Leaders of the Church took a prominent role in raising a defense fund for the Africans who were captured aboard the ship William Lloyd Garrison, a prominent abolitionist, and Frederick Douglass, a black newspaper editor and former slave, both spoke at the Church. In 1853, a women's suffrage meeting at the Church was so disrupted by hostile men that Sojourner Truth, the famous leader of the Underground Railroad, had to shout down the hecklers from the platform.

The church founded a newspaper, The Independent, an anti-slavery paper that had a circulation of 15,000, which helped to spread the renown of Emily Dickinson by publishing her poems. By 1857, the church accepted an offer by the Erie Railroad to purchase its original building, and moved uptown to 34th Street and 6th Avenue. The new building was designed by Leopold Eidlitz.[6] As the American Civil War began, the Church's pastor, Rev. Joseph Parrish Thompson, was so identified with the Union cause that a Confederate sympathizer attempted to shoot him during a worship service.

These years reflect a time when Protestant ministers were among the leaders of American society, and when their sermons would be reported in the newspapers. Churches were also significant cultural centers. For example, the Tabernacle choir performed the first North American concert of Mendelssohn's oratorio, Elijah.

Women were given the vote in the church in 1871. During the latter half of the 1800s, the Church supported mission activities around the world. It also carried out educational and religious activities in the poorer neighborhoods of the City, including Hell's Kitchen, where it established a branch, the Bethany Mission, in 1868.

In 1892, the address was listed at 582 6th Avenue; it was informally called "Rev. Dr. Taylor's Broadway Tabernacle" at that time.[7]


Charles Jefferson became pastor in 1897, and continued in the role until 1930. He was a skilled preacher and organizer under whose leadership the Church grew. The City had spread beyond its former boundaries, and again a generous offer for the Church's property stimulated a move to 56th and Broadway, a corner where the streets were still unpaved. The Gothic building that was erected featured a parish house that was ten stories tall and had its own elevator. The "skyscraper church" functioned, as the Church had before, as a gathering place for many meetings, more than 1200 in the year 1910. During the World War I, it provided weekly canteens for men of the armed forces. During the Depression, it contained a theater, beginning a ministry to actors that lasted for many years.

Mission work continued to be a focus, leading among other things to the establishment of the Jefferson Academy in Tungshien, China. Pastor Jefferson also led the establishment of the New York Congregational Home for the Aged in Brooklyn in 1906. In the same year, Jefferson also proclaimed his interest in peace issues, as one of the founders of the New York Peace Society. Andrew Carnegie gave Jefferson and his colleagues a grant to develop strong relationships between clergy throughout the world. After the First World War, Jefferson became an advocate for the League of Nations and the World Court.

In 1928, Broadway continued to break new ground by taking the rare action of ordaining a woman minister. Two years later, Jefferson left, and Allan Knight Chalmers was offered the job of replacing him. Women now demanded, and were given, the ability to serve as officers of the Church. Chalmers was a strong advocate of the Social Gospel; as the Great Depression deepened, he and the Church had many challenges to meet. One of the great public controversies of the time was the Scottsboro case, when a group of nine black men were charged with sexually molesting some white women in Tennessee. All except one were sentenced to death. Pastor Chalmers became the head of the national Scottsboro Defense Committee. The men were freed from prison; Chalmers was elected treasurer of the National Association for the Advancement of Colored People (NAACP) in recognition of his work on the case.

Pastor Chalmers was also a leader in the pacifist movement. The Church's Young Men's Club issued the Broadway Declaration in 1932, declaring that service in the armed forces was inconsistent with Christianity. Other young men across the nation also signed it. When World War II came, eight Broadway members became conscientious objectors, serving out the War in mental hospitals and other forms of community service. Without an apparent sense of contradiction, the Church during this period continued to offer regular hospitality to members of the armed forces through its weekly canteens.

Postmodern era

On into the 1960s, the Church continued to fight for human rights. It was the rallying point from which the United Church of Christ delegation went to the March on Washington.

Lawrence Durgin served the Church for two years before being named pastor in 1963. During this time, the church embraced the ecumenical movement that was symbolized by the Second Vatican Council. As it confronted a large investment to repair its building, a proposal was made to sell the property and to use the money for mission. The proposal won by a very small margin. In 1969, Broadway left its own building to take up residence at a Catholic church, the nearby Church of St. Paul the Apostle.

One of Broadway's staff members, Aston Glaves, became a leader in developing affordable housing in the church's neighborhood, formerly called Hell's Kitchen. A number of middle- and low-income apartment buildings in the area were developed through community efforts led by Glaves.

Advent Lutheran

After twelve years at St. Paul's, Broadway moved to Rutgers Presbyterian Church, and then to St. Michael's Episcopal Church, each time moving further up the West Side. The Rev. Bonnie Rosborough was called during this time, and kept the church together during its various moves. Life as a "church without walls" began to pall after thirty years, so a relationship was formed with Advent Lutheran Church at 93rd and Broadway. Broadway would invest in the renovation and repair of Advent's building, and would be able to settle there for forty years. The congregation marched down Broadway to Advent Church in March of the year 2000, and were met on the steps by the Advent congregation singing its welcome.

In 1991, Broadway became an "Open and Affirming Congregation" of the United Church of Christ, officially welcoming all people regardless of their sexual orientation. Ministries to churches in South Africa as it threw off apartheid, to prisoners, to people with HIV and AIDS, and to women on welfare, among others, have marked the 1990s. Broadway members provided their labor and financial support to Habitat for Humanity as the millennium turned. Broadway has joined Advent in preparing and serving food in its meal program for poor people in the neighborhood.

On March 1, 2006, the congregation voted to call the Rev. James P. Campbell, an ordained, openly gay minister of the United Church of Christ as its 10th pastor.


  1. ^ Loveland, etc., From Meetinghouse to Megachurch, p.27.
  2. ^ Review in The New York Evangelist quoted in Keith J. Hardman, Charles Grandison Finney, 1792-1875: Revivalist and Reformer (Syracuse: Syracuse University Press, 1987), p.252.
  3. ^ Nathan Silver, Lost New York, (New York: Weathervane Books, 1967), p.46
  4. ^ J. Russiello, A Sympathetic Planning Hierarchy for Redundant Churches: A Comparison of Continued Use and Reuse in Denmark, England and the United States of America (MSc Conservation of Historic Buildings, University of Bath, 2008), p.217.
  5. ^ Nathan Silver, Lost New York, (New York: Weathervane Books, 1967), p.76.
  6. ^ Kathryn E. Holliday, Leopold Eidlitz: Architecture and Idealism in the Gilded Age (New York: W. W. Norton and Company, 2008), p.171
  7. ^ The World Almanac 1892 and Book of Facts (New York: Press Publishing, 1892), p.390.

This brief history was adapted from Wade Arnold's A Brief Narrative History of the Broadway United Church of Christ. Also used, as supplemental material, is an unpublished manuscript by Alex Sareyan.

This article was sourced from Creative Commons Attribution-ShareAlike License; additional terms may apply. World Heritage Encyclopedia content is assembled from numerous content providers, Open Access Publishing, and in compliance with The Fair Access to Science and Technology Research Act (FASTR), Wikimedia Foundation, Inc., Public Library of Science, The Encyclopedia of Life, Open Book Publishers (OBP), PubMed, U.S. National Library of Medicine, National Center for Biotechnology Information, U.S. National Library of Medicine, National Institutes of Health (NIH), U.S. Department of Health & Human Services, and, which sources content from all federal, state, local, tribal, and territorial government publication portals (.gov, .mil, .edu). Funding for and content contributors is made possible from the U.S. Congress, E-Government Act of 2002.
Crowd sourced content that is contributed to World Heritage Encyclopedia is peer reviewed and edited by our editorial staff to ensure quality scholarly research articles.
By using this site, you agree to the Terms of Use and Privacy Policy. World Heritage Encyclopedia™ is a registered trademark of the World Public Library Association, a non-profit organization.

Copyright © World Library Foundation. All rights reserved. eBooks from Project Gutenberg are sponsored by the World Library Foundation,
a 501c(4) Member's Support Non-Profit Organization, and is NOT affiliated with any governmental agency or department.