...ol Number: 2008932282 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–19... ...er technology promising cheaper copying—first appeared, the reaction of movie studios was one of horror. Their business plans relied upon showing movie... ... Cheaper copying demands stronger rights. Having lost that battle, the movie studios tried to have the manufacturers of the recording devices found li... ... to “time-shift” them to a more convenient hour was a fair use. 17 The movie studios’ claims were rejected. Freed from the threat of liability, the pr... ...ry embodi- ment of all that is wrong. (I still cherish a friend’s account of British protesters outside the American Embassy in London singing “D-M-C-... ...x the law in this area. When the case of Bridgeport Music, Inc. v. Dimension Films came up, they thought they had what they wanted. The band NWA had u... ...structions, carry out the desired operations, and write the answer down. The British mathematician Alan T uring imagined something like this—a little ... ... at http:// www.law.duke.edu/cspd/pdf/cspdproposal.pdf, and Access to Orphan Films: Submission to the Copyright Office—March 2005, available at http://... ...k: New York University Press, 2001). 22. Bridgeport Music, Inc. v. Dimension Films, 410 F .3d 792, 804n16 (6th Cir. 2005). 23. Walter Benjamin, “The W...